Wednesday, 27 July 2016

"Star Trek BEYOND" - Finally Going Where 'Star Trek' Should Have Gone Before...



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Closing in on the ripe old age of 58 in September of 2016 - I'm unfortunately old enough to remember the long soggy parade of film sequels (I think there was 10) for Gene Roddenberry’s creation – STAR TREK - films with William Shatner, Leonard Nimoy, DeForrest Kelly and his ageing buddies from the TV show of the 60ts and 70ts. Some were passable but many were plain God-awful and increasingly ridiculous.

Director and Executive Producer J.J. Abrams then successfully re-booted the series with the inspired casting of Chris Pine in the lead role of James T. Kirk., Zachary Quinto (from "Heroes") as the big-eared and big-hearted Vulcan 'Spock' with the brilliant Karl Urban as the cantankerous Doctor 'Bones' McCoy. Throwing in Zoe Zaldana as communications officer Lieutenant Uhura and Simon Pegg as the wisecracking Engineer Montgormery 'Scotty' Scott as well as John Cho and (the sadly passed) Anton Yelchin as Sulu and Chekov – the new casting worked like a dream. There have been two more blockbusters to add to the vast tally – both rocking and rolling for all the right reasons.

But on the new 'Trek 3' – the makers of these films have hit something of a zenith - the genuine magic of old finally returned for a new generation to lap up.

I've just come from the local Impact Cinema in E17’s Empire (Tuesday, 26 July 2016) with the sound of real applause and audience delight still ringing in my ears. Everything about 2016’s "Star Trek Beyond" rocks - the amazing visuals which at times can only be described as beautiful - the constant wit and comradery that made the original crew such a joy to watch – perfect casting in every single role – a nod to the old whilst embracing the new – and an ingenious script provided by (Scotty himself) SIMON PEGG and DOUG JUNG.

Add in a top baddie in Idris Elba (the reptilian Krall) and a stunning turn by Algerian actress Sofia Boutella as the face-painted kick-ass Jaylah – you get that rare combination of jaw-dropping visuals – wise-cracking one-liners that genuinely elicited laughs – and a feeling of fun and pride in what they were bringing to the screen.

Director JUSTIN LIN is to be congratulated on this – but my heart gives thanks to the real heroes of the piece – the writers Pegg and Jung – who delivered the best script this film franchise has had in decades. In fact I thought "Star Trek Beyond" was a lot better than the wildly overrated "Star Wars: The Force Awakens" in every respect and especially in terms of sheer entertainment value.

Trekkies will need to see it and then own it when it turns up on BLU RAY for Christmas.


And if Pegg and Jung write another script as good as this – then Star Trek will indeed boldly go...and go...and go...and many old farts like me will finally be glad to go back for more...

Thursday, 21 April 2016

"MICHAEL COLLINS" on BLU RAY (2016 Warner Archives Collection) - A Review by Mark Barry...


"...Promise Not To Love Me..."

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*** THIS REVIEW IS FOR THE 20th Anniversary BLU RAY RELEASE in 2016 ***

I won't debate "Michael Collins" as a movie (it still stands up after 20 years having just re-watched it) - but I will rave about the 2K restoration of the new Warner Brothers "20th Anniversary" BLU RAY Reissue from March 2016.

First up the picture is clearly frame-by-frame restored and looks fabulous. There are even scenes indoors with Stephen Rea in Dublin Castle amidst his intelligence papers and the crowd sequences with Alan Rickman (brilliant as the political eel that was Eamon De Valera, Ireland's first President) where the word 'beautiful' leaps to mind. Much of the movie is filmed at night and in foggy streets - so the restoration was always going to be a challenge to keep that fuzz and grain at bay - while at the same time retain the natural colours of the film intact - and this transfer has achieved that. When you watch the 9 or 10 short deleted scenes (mostly containing Liam Neeson and Aidan Quinn as Michael Collins and Harry Boland larking about) - you see the untreated film stock with its scratches and lines and realise what a great job has been done.

The extras include:
A feature-length Commentary by Director NEIL JORDAN
In Conversation with Neil Jordan (new)
The South Bank Show Special from 1996
Theatrical Trailer
Deleted Scenes (about 10)

The new "In Conversation With Neil Jordan" has him reminiscing (in Warner Brothers seating) about the making of the film and 20 years of hindsight (Ireland was only just emerging out of the Troubles with both the IRA and The UVF having cease-fired when it was being made) - but it's criminally short and not particularly informative. A hundred times better is the near 50 minutes of “The South Bank Show” filmed in 1996 just after the launch of the movie. It features properly in-depth interviews with Director and Writer Neil Jordan, Tim Pat Coogan the Irish Author of Collins' life, Unionist peacemaker David Ervine and England's film and book critic Tom Paulin. It also has Producer Stephen Wooley fondly discussing the use of Dublin as a set (the whole city – unprecedented access) - the 5000 extras who turned up in period costumes for the shoot - short interviews with Neeson and glimpses of on-set shooting (Julia Roberts, Stephen Rea, Ian Hart and Brendan Gleeson). It goes into Collins' early 20's life as a worker in England for the Post Office, his grounding in Accounting so that he managed the finances of the revolution and in particular the paradox of the man - part gentleman - part ruthless killer - and probably the inventor of modern-day guerrilla warfare. It talks also of his eventual assassination by his own army in Cork at the age of 31 and how Jordan re-wrote the Croak Park black and tan murders and that controversial 'was De Valera involved in the assassination, possibly ordered it' scene (which Jordan argues was never his intention).

The BLU RAY of "Michael Collins" of course also avoids that crappy 'flipper' of a DVD we've had to live with all these years where you had to turn the damn thing over to view the remainder of the movie - and in 1.78:1 Aspect Ratio - fills the entire screen with a lush picture that thrills all the way to the end ("Michael Collins” looks like way better than its $28 million-dollar budget). The 5.1 Audio rattles those explosions and gunfire shots around your room with renewed force and you also get to appreciate the stunning commitment of the actors involved (Liam Neeson and Aidan Quinn have been lifetime friends ever since).

Part of their respected and applauded 'Warner Archive Collection' series of BR reissues - "Michael Collins" is a triumph on BLU RAY. If you love this movie - you need to own it on this format. And that truly beautiful version of "She Moves Through The Fair" by Sinead O'Connor as the credits roll still moves me to tears...

AUDIO:
English DTS-HD Master Audio 5.1
German Dolby Digital 2.0
Spanish Dolby Digital 2.0
Japanese Dolby Digital 5.1

SUBTITLES:

English (for the Deaf and Hard-of-Hearing), French, German (for the Hard-Of-Hearing), Spanish Castellan, Japanese, Spanish Latin, Czech, Polish, Turkish, Mandarin